The Art and History Museum: Autoworld Museum: Basilica of the Sacred Heart: The Belgian Center for Comic Strip Art: Cathédrale Saint-Michel et Sainte-Gudule (Cathedral of Saints Michael and Gudule): Because of its growing importance, the first St. Gudula church originally built in romanesque style was transformed in Gothic style as from the 13th century. The foundations of the first church can still be seen under the crypt of the Gothic cathedral. The Gothic choir was constructed between 1226 and 1276 nave and transept in the middle of the 15th century. The western facade, completed between 1450 and 1490 follows the example of the French Gothic facades. Via a large staircase (built in 1861 the three gates of the entrance can be reached. Inside, 12 pillars clearly determine the interior of the cathedral, whereas the triforia and glass-stained windows accentuate the later Gothic style which allowed more light to fall in to the church. The choir is darker because of the smaller window openings. In the northern chapel on the left side of the choir, one can see the portraits of several kings and emperors who bestowed the richly decorated glass-stained windows: Joao III of portugal, Louis of Hungary, François I of France and Ferdinand I. In the choir the windows of the following rulers can be seen: Maximilian of Austria, Philip the Beautiful, Charles V, Philip II of Spain, Philibert of Savoy with his wife Margaret of Austria. All through the 20th century the cathedral was almost continuously renovated. The renovation was completed in December 1999 when the marriage of the Belgian crown prince Philippe with his bride Princess Mathilda took place there, on the 4th of December.
Jubelpark / parc du cinquantenaire, 10
Metro station: schumann or merode
From 9.30 - 5 pm (closed on Mondays)
From 10 -5 on Saturdays, Sundays and public holidays
This Museum has an important collection of art objects from civilizations all over the world. It offers an overview of the history of human settlement in the five continents from prehistoric times until today. The Museum was founded in 1835 and was located in the Hallepoort/Porte de Hal, one of the last remaining medieval city gates of Brussels. In 1889 it was transferred to the newly built pavilions in the Cinquantenaire Park.. The Museum is part of the Royal Museums of Art and History.
Jubelpark / Parc du Cinquantenaire, 11
Metro station: Schumann or Merode
10- 5 (closed on Mondays) (November -March)
10 - 6 (closed on Mondays) (April - October)
The more than 400 cars in this museum comprise one of the world's top collections of vintage and classic cars. On display also is the history of the automobile from 1886 up to the 1970's. There is, first of all, an exhibit of Belgian automobiles. Belgian car manufacturers no longer exist, but names such as Minerva, FN, Imperia, Nagant, Germain and Vivinus are names that are familiar to those who are lovers of the automobile. These cars came out of Belgian factories in the pre-world war II era. There are also cars from the United States, Germany, France, Italy, and the United Kingdom. There are also special models which belonged to the Belgian royal family and to US presidents Franklin Roosevelt and J.F.Kennedy.
Blvd. Leopold II near the Bruparck.
Metro: Simonis; then bus 87.
For a fee, climb up into the dome for a spectacular view of the city.
When standing on one of the hills surrounding the center of Brussels, one can always see the dome of the Basilica to the west. The Basilica was built to commemorate the 75th anniversary of Belgian independence. In 1905 king Leopold II laid the first stone. According to the plans of architect Langerock it was to become a gigantic neo-Gothic church. The initial plans were stopped at the beginning of World War I. By the time construction resumed, a new architect, named Van Nuffel, was asked to construct a modern house of prayer. He changed the style from neo-Gothic to art deco. The result seems discordant to many. Construction of the church depended entirely on donations made by believers and these donations did not always yield the expected funds. The church was eventually finished in the late 1960's with the construction of a dome and dedicated to the War Victories of 1918 and 1944.
Center Belge De La Bande Dessinée
Rue des Sables 20
Trams 90 92 and 93; bus 38.
An art nouveau building houses the world's first Comic Strip Museum which exhibits over 400 original Tintin plates created by Hergé, as well as 25, 000 other cartoon works. The Waucquez warehouses are considered to be one of the masterpieces of the famous Belgian art nouveau architect, Victor Horta. Horta built the house in 1906 for the Waucquez family who used it for a wholesale cloth business. The building illustrates the principles of Horta's architectural style: sunlight filters from the glass ceiling into the central hall, lighting the rest of the warehouse in a natural way. One of the most popular new art forms for Belgium is the comic strip. Since World War II, most Belgians have grown up with Belgian comic strips. Herge stands out as the most important writer He is the father of the best known Belgian comic strip: Tintin. Tintin has been delighting children since 1929, when he began his adventures as a boy reporter traveling the world and setting wrongs to right. Tintin's adventures became one of the greatest early examples of the European strip cartoon. Willy Vandersteen is the best known name of the Flemish school. His most important creation is Suske and Wiske (in English known as Willy and Wanda). Since the 1950's, however, the entire comic strips scene has boomed in Belgium. This museum illustrates this "9th Art" in Belgium, with sets of enlarged drawings, three-dimensional recreations, etc. One can also learn everything about the birth and the development of a comic strip series. The Museum also has a shop with albums and memorabilia of the different Belgian comic strip heroes.
Nov.-March, daily 7-6; April-Oct., Mon.-Sat. 7-7 Sunday 8-7.
The city's principal church is a 13th-century edifice with twin Gothic towers and outstanding stained-glass windows. This church can be found at the Treurenberg hill on the edge between lower and upper town. Already at the beginning of the 11th century a church was situated here. In 1047 the duke of Brabant, Lambert II, had the relics of Saint Gudula transferred from the Saint Gorik church in downtown Brussels to the new church at Treurenberg hill. From that moment on the Saint Gudula and Saint Michael church took the lead over all the other churches in Brussels. Lambert II also gave the church a chapter of 12 canons (= priests who took care of the services and possessions of the church).
The Art and History Museum:
Basilica of the Sacred Heart:
The Belgian Center for Comic Strip Art:
Cathédrale Saint-Michel et Sainte-Gudule (Cathedral of Saints Michael and Gudule):
Because of its growing importance, the first St. Gudula church originally built in romanesque style was transformed in Gothic style as from the 13th century. The foundations of the first church can still be seen under the crypt of the Gothic cathedral. The Gothic choir was constructed between 1226 and 1276 nave and transept in the middle of the 15th century. The western facade, completed between 1450 and 1490 follows the example of the French Gothic facades. Via a large staircase (built in 1861 the three gates of the entrance can be reached. Inside, 12 pillars clearly determine the interior of the cathedral, whereas the triforia and glass-stained windows accentuate the later Gothic style which allowed more light to fall in to the church. The choir is darker because of the smaller window openings. In the northern chapel on the left side of the choir, one can see the portraits of several kings and emperors who bestowed the richly decorated glass-stained windows: Joao III of portugal, Louis of Hungary, François I of France and Ferdinand I. In the choir the windows of the following rulers can be seen: Maximilian of Austria, Philip the Beautiful, Charles V, Philip II of Spain, Philibert of Savoy with his wife Margaret of Austria. All through the 20th century the cathedral was almost continuously renovated. The renovation was completed in December 1999 when the marriage of the Belgian crown prince Philippe with his bride Princess Mathilda took place there, on the 4th of December.
The Chinese Pavilion and The Japanese Tower:
Avenue van Praet/ van Praetlaan 44
Tues-Sun. 10-5 Closed Monday
The two monuments are located on the northern corner of the Royal Park .After his visit to the 1900 universal exhibition in Paris king Leopold II decided to have his park embellished with exotic monuments. He ordered the Parisian architect Alexandre Marcel to construct the Japanese tower and the Chinese pavilion. The entrance to the Japanese tower was built as a replica of the Japanese Pavilion at the Paris exhibitionthat had been constructed by a Japanese carpenter. The woodwork of both buildings was constructed by specialists from Yokohama and Shanghai.
The Heysel Exhibition Park (Bruparck):
A theme park in Brussels' northern suburbs.
Metro 1A (Heizel/Heyzel)
In the 1930's Belgium wanted to organize a world exhibition to show its prosperity after the disasters of World War I and also to celebrate the centenary of its independence. The exhibition surface in the Central Cinquantenaire Park had become too small. Therefore, it was decided that the Expo of 1935 was to take place north of the center of Brussels, in the Heizel/Heysel plains. This major event took 10 years to organize. The results were impressive. More than 20 million visitors came to Brussels, 182 buildings were constructed, 25 countries participated. More than 300 congresses, parades, festivals and concerts were organized. Each country was represented in a National pavilion where national products and accomplishments were shown to the rest of the world. Belgium also built a colonial pavilion to celebrate the 50th anniversary of the foundation of the Congo freestate. A giant attraction park and a reconstruction of "old Brussels" drew large crowds to the Heysel. The result of restoration and additions to the site is Bruparck
Among its components are:
Daily shows: 258,10:30pm
Said to be the world's largest cinema complex, Kinepolis has 24 wide screen theaters and an IMAX screen seven stories high. All have a THX sound system. Films are shown in their original language (usually English) with Dutch and French subtitles.
March 25-June 30 and Sept. 1-November 1: 9:30-6 daily.
July 21-August 20 9:30-midmight daily.
July 1-August 31: 9:30-8 daily.
November 7-January 7 10-6 daily.
A miniature world displaying models of major events in the history of Europe. Some are hands-on such as the eruption of Mount Vesuvius and the fall of the Berlin Wall. Visitors can make it happen. There are even scaled down replicas of the Channel Tunnel and the Ariane rocket.
April-June Tues-Thurs. 10- 6 Friday-Sunday 10-10
July and August: daily 10-10
Sept.-March Wed-Fri. 10-6 Sat., Sun. 10-10
An indoor and outdoor aquatic paradise with giant flumes, wave machine, plastic beaches and palm trees. While in the area, the visitor pretends to be on a two hour Carribean holiday. Even in winter; swimming in a heated pool is offered while snow falls outside the fantasy world. Children seem to love it at any time of the year Adults can also relax in the sauna complex.
An imitation Flemish style village. There are restaurants, cafés, all of which are convenient to Bruparck's many attractions. there is also a well appointed children's playground and a full program of events for families.
Avenue de Bouchout/Bouchoutlaan 10
Call for hours.
Situated just outside the Bruparck.
Blvd. du Centenaire
Daily (Summer) 9-8
Fall and winter: Daily 10-6
This monument from 1958 has become the Eiffel tower of Brussels. The Atomium is the visual representation of the concept of an "atom". It symbolizes an elementary iron crystal with its 9 atoms and magnified 150 billion times. It honored the metal and iron industry and the belief in atomic power. The architect was André Waterkeyn. It took 18 months to conceive and another 18 months to construct. The monument is coated with aluminum, weighs 2.400 tons and is 102 meters high. Each sphere has a diameter of 18 meters. An elevator takes visitors to the upper sphere where one can enjoy a panoramic view of the Heysel area and (if the weather is clear) the city of Brussels.
The Guild Houses:
In medieval Belgium, traders and craftsmen formed groups known as guilds in order to set standards for their craft and establish a trade monopoly in their geographic area. The guilds were run by wealthy families who also tried to exert political influence and control town or city governments. During the 16th century, they began building headquarters, first of wood and then of stone. The guild leaders met regularly in these houses to discuss new rules or regulations within their specific trade or area of commerce.
In Brussels the guilds built their houses around the main town square. After the French bombardment of August 1695 the city ordered the guilds to submit the restoration plans of the houses before a final approval could be given for the construction. Because of this decision, the unity of style has been preserved and former irregularities done away with. In the Middle Ages no house numbers were given, only names. There were so few stone houses that most people could locate a house just by its name. On the Grand-Place the names of the houses are often indicated by a little statue or some part of the decoration. Here follows a list of the houses with their names and eventual specific historic details. The list starts at the group of houses on the left side of the Town Hall and continues clockwise: The mountain of Thabor - the rose -the golden tree - the swan (now an upscale restaurant "La Maison du Cygne (House of the Swan). The star (in the middle ages this house was occupied by the amman, the duke's representative in the city. Under the arcade is a statue of Everard 't Serclaes, a medieval Brussels hero. Legend has it that hitting the arm of the statue brings luck. ) (The Town Hall)- the fox (house of the Traders Guild with the statue of St. Nicolas on top) - the horn (House of the Sailors. The upper floor looks like the rear end of a ship) - the She-wolf - the Sack - the Wheelbarrow The King of Spain (house of the Guild of the Bakers ) - the Mule - Saint Barbara - the Samaritan - the oak - the peacock - the helmet - (the king's house) - - the Merchand of Gold - the pigeon - the golden sloop - the angel - Joseph and Anna - the deer
This house of the Sailor's Guild has a gable that is in the form of the stern of a 17th century sailing ship.
Brewers' Guild House
Grand-Place/Grote Markt 10
The headquarters of the brewers' trade association and their guild, the Knights of the Marsh Staff. There is also a museum of brewing. Belgium poroduces more than 400 kinds of beer. For a small entrance fee, a tour is given and beer can be sampled.
Victor Hugo lived here in 1851 above what is now a shop selling lace.
Amerikaanse straat / Rue américaine, 23-25
From 2pm to 5.30pm (closed on Mondays and holidays)
tram 91 or 92 to Ma Campagne
This is not a Museum in the traditional sense. It is not a building in which the objects displayed draw all the attention. In this case, the building itself is the object displayed. The Horta Museum was actually the house that Victor Horta built for himself in the late 1890's. It provides an excellent example of the style that made Horta one of the most acclaimed architects in Belgium.
The art nouveau style was popular in Europe, and especially in Brussels, between 1893 and 1918. The characteristics are: the use of industrial materials like steel and iron in the visible parts of houses, new movement of design asinspired by nature (e.g. the famous whiplash motive, which occurs very often in the Art nouveau style and especially in the work of Horta), decorative mosaics or sgraffito on the façades of houses, etc... Most of these principles can be seen applied in the Horta Museum's structure. This house also shows one of the great innovations of Horta: the rooms are built around a central hall. From the beautiful glass ceiling light falls into the house thereby creating a much more natural illumination of the building than was the case in the traditional late 19th century houses in Brussels and Belgium.
The King's House
32(022794350 fax: 32(022794362
Mon -Thurs 10 - 12:30, 1:30 - 5 ( 1 October - 31 March until 4)
Closed on Fridays and bank holidays
Saturday and Sunday: 10 - 1
At the market place, opposite the Town Hall, stands another of the remarkable historical buildings of Brussels. The beautiful neo-Gothic building with its many decorative statues is the "Maison du roi" in French or "Broodhuis" in Dutch. It contains the City Museum.
The Dutch name "Broodhuis" (I.e. bread house) clearly shows the origins of this building. In the beginning of the 13th century a wooden building stood in this spot from which the bakers sold their bread. In 1405 a stone building replaced the original wooden bread hall. During the early 15th century the bakers turned to selling their products from house to house, and the ancient bread hall was used more and more for administrative purposes by the duke of Brabant. It became known then as "Maison du roi" (the King's House). During the reign of Emperor Charles V, the king's house was rebuilt in Gothic style from 1515 until 1536.
After the French bombardment of 1695 the building was restored only as far as was necessary to keep it from collapsing. In the following centuries it was used for different purposes. In 1860 the mayor of Brussels, Jules Anspach convinced the city authorities to buy the old king's house which by then was in a sorry state. The entire building had to be rebuilt. The restoration was done in the then fashionable neo-Gothic style. On June the 2nd 1887 the king's house became the city Museum of Brussels. On exhibition are original statues from the Town Hall, as well as paintings, wall tapestries and artifacts which relate to the history of the city.
The City Museum:
Monday - Thursday (April to October): 10 -12.30 and 1.30 - 5 (Nov.-Mar.until 4pm)
Weekends 10 - 1
Grote Markt / Grand'place
32 -02-279 43 58
The City Museum is situated in the king's house on the Grand'place of Brussels. In 1884 Brussels established a museum dedicated to presenting details of the city's rich past. The Museum opened in 1887. The beginnings were modest. The small collection was housed on the second floor of the building. The collection has continued to grow over the intervening years. . A plan to use the entire building for the City Museum collection in 1935 was interrupted during World War II. Finally, in 1960, the City Museum space was enlarged to utilize the entire building. On the ground level is a collection of art objects showing: wall tapestries (some based on paintings made by Barend Van Orley and Peter Paul Rubens): The typical elements of a Brussels wall tapestry are the use of the colours red, blue and brown and the presence of a border which was decorated with fruits or plant motives. The scenes represented could be religious as well as historical. The tapestries were woven based on sketches made by important painters (e.g. Van Orley, Rubens, etc) Sometimes the Brussels origin of a tapestry can be detected through the presence of the initials b.b on the lower border. This initials were used as the Brussels trade mark and meant 'Brussels in Brabant', Brabant being the dukedom of which Brussels was the capital. Brussels wall tapestries are now spread all over the world. Tapestries wereoriginally meant for the decoration (and also insulation) of the immense, drafty rooms in the different European castles and courts.
In addition to tapestries there are also many paintings displayed (among them a Wedding Procession attributed to Brueghel the elder), altar pieces, and goldsmith work. On the second floor one can see a collection of documents and miniature scale models which outline the development and growth of the city. The third floor shows the cultural, economic and social development of Brussels through historical documents, paintings, engravings, scientific documents and manuscripts. On this floor the wardrobe of Manneken pis can be seen. The little boy already possesses a collection of more than 650 costumes.
The David and Alice Van Buuren Museum:
Avenue Léo Errera, 41
House and garden : Sunday 1 -5.15 Monday 2 - 5.15
Garden only : Daily 2 -5
The museum is located in the house in which David and Slice Van Buuren lived. It opened in 1973. In 1970 Mrs.Van Buuren had established the "Friends of the Museum of David and Alice Van Buuren" society, to which she left by will the house, the garden, the works of art as well as a substantial donation which would serve as an endowment to insure the continued availability of funds in years to come. During his life, Mr. David Van Buuren, was a fervent collector of fine works of art. The Van Buurens turned their property into a living museum. The house itself was built in 1928. It was constructed in a typical Dutch style and decorated by well known Belgian, French and Dutch designers. In the various rooms of the house the visitor can view the sculptures and paintings displayed within an exquisite setting of rare and precious furniture, luxurious woodwork and signed tapestries. The entire "art deco" setting in which the Van Buurens lived,has been carefully preserved. The surrounding gardens never ceases to amaze the visitor. The gardens are laid out in three sections. First, there is the "picturesque garden" designed by Jules Buyssens (1924 ). A masterpiece of art deco design, it recalls the spirit of the "roaring twenties". Second, the "labyrinth" by René Pechère, constructed in 1968. Its 300 elms lead to 7 rooms of plantings selected to illustrate the "Song of Solomon". The last section is the "garden of the heart" by René Pechère, built in 1969-1970.
(Grote Markt - Market Square)
The Grand-Place is the main tourist attraction of the city of Brussels. All through the year it is visited by thousands who like to spend some time wandering around and admiring the beautiful buildings, or sitting down on one of the many terraces having a good Belgian beer Concerts and musical happenings are organized all through the year on the square. The most famous events that take place here are the annual Ommegang (an historical procession at the beginning of July) and the biennial flower carpet.
Manneken pis. (Also known as Petit Julien):
Corner of Rue de l'etuve and Rue du chêne.
This small bronze statue of a chubby boy urinating into a fountain is known as "Brussels' oldest citizen." The first mention of the statue came from documents dating back to about 1377, but the current version is a copy; the original was kidnapped by French soldiers in 1747. In restitution King Louis XV of France presented the statue with a gold-embroidered suit, the first of a collection of ceremonial costumes that now numbers over 500.
Musée d'Art ancien (Part of the Royal Museums of Fine Arts):
rue de la régence 3. This Museum lies next to the Museum of Modern Art.
Tues.-Sunday 10-noon and 1-5. (closed on Mondays)
Admission charged. Artists united to form powerful guilds in the 15th century. They turned the cities in the low countries into centers of European Art. Most of their work was done using wooden panels. After having made the representation on the panel, they applied the colourful paint. Through this procedure thin layers of unmixed, pure mineral paint were applied on top of each other. These optically mixed colours gave their work a unique depth as can be seen in the works of Van Eyck, Rogier Van der Weyden, Dirk Bouts, Hugo Van der Goes, Petrus Christus, Gerard David and Hans Memling. They also experimented with perspective. In many of the earliest works of the 15th century perfection had not been achieved. Also the setting of the (mostly) religious scenes started to change. Until the beginning of the 15th century, most religious scenes were set against a colored background. In the first decades of the 15th century, the divine personae were painted against a contemporary and very realistic background (such as typical Flemish landscapes, typical Gothic living-rooms and church interiors).
This Museum contains an extensive collection of excellent paintings from the low countries and the world. In the entrance hall several sculptures can be seen of Belgian and international sculptors (for example: Meunier, Lambeau, Rodin, etc.) The main accent, however, is on the collection of old masters with its 1200 paintings. On the first floor are the masterpieces of the 15th and 16th century. Among the famous names are: the Master of Flémalle, Rogier Van der Weyden, the Master of Aix, Barend Van Orley, Dirk Bouts, Hieronymus Bosch, Lucas Cranach and Quentin Metsys. The pride of the Museum is the Bruegel collection, of which the "Landscape With the Fall of Icarus" is considered to be one of the seven wonders of Belgium. Most visitors go directly to the Bruegel and Rubens rooms, but there are also works by Van Dyck, Bosch, the great Flemish primitives of the 15th century, and a fine collection of 19th-century works.
The Museum of Modern Art (Part of the Royal Museums of Fine Arts):
Koningsplein / place royale, 1-2
Tues.-Sunday 10-1 and 2-5. (closed on Mondays and public holidays).
Housed in a building that is an amazing feat of modern architecture that burrows seven floors underground around a central light well, this collection holds mainly Belgian and French Art of the past 100 years. Highlights include works by the Belgian surrealists Delvaux and Magritte. In 1984 a new Museum complex was opened near the royal square. In this complex, the collection of modern masters of the Museum of the fine arts is now housed. The entrance, situated in a neo-classical building at Place Royal, leads to the underground Museum, built around a central light well, where the displays are arranged in chronological order.
The 'modern masters' of the 19th century are located on the ground level of the Museum of Ancient Art , which can be reached via an underground passage between the two Museums. In the collection of the 20th century the following are represented : fauvism ( Wouters, Spilliaert, Auguste Oleffe, Ferdinand Shirren, Jean Brusselmans), surrealism: (Rene Magritte with 26 major works, Paul Delvaux, Max Ernst, Francis Picabia, Tanguy, etc), Futurism (Schmalzigaug, Prosper de Troyer), abstractionism (Peters, Victor Servranckx, Flouquet), young Belgian painters: (Louis Van Lint, Bonnet, Mendelson, Mortier, Delahaut), the Cobra Movement (with Karel Appel, Pierre Aleschinsky) and others such as Pol Dury, Christian Dotremont, Lacomblez. Among the modern sculptors whose works are displayed are: Wouters, Jespers, Cantré, Puvrez, Bury, Leplae, George Segal, Tony Cragg, Strebelle, Ubac.
Natural Science Museum:
rue Vautier 29
9:30-4:45 Tues-Sat 9:30-6 on Sunday
The Museum of the Royal Institute for Natural Sciences of Belgium gives a fascinating overview of natural life over the course of time. This large complex is on a hill overlooking Parc Léopold. It is an excellent place to visit with children. The major attraction of the Museum is its collection of the so-called "iguanadons of Bernissart". Skeletons of these dinosaurs were found in the late 19th century in the small village of Bernissart in the south of Belgium. The beautifully reconstructed skeletons draw many people every year This is an ideal Museum to visit with children.
Other permanent collections are:
The inhabitants of the seas of the jurassic and cretaceous eras; "Of Men and Mammoths" - The evolution of mankind, with special focus on ice-age men and their environment; The insect world (e.g. an animated termite mound); Whales - 18 skeletons; Mammals - on display are 80 of the 107 existing mammal families; The fauna in Belgium - with dioramas; Mineralogy - (also fragments of moon rock and meteorites). The new Arctic and Antarctic galleries are well presented and lead into the whale room where the skeleton of a blue whale is suspended from the ceiling.
The Notre Dame Church of Laken:
Laken is the name of one of the suburbs of Brussels. It is also the community where the royal family of Belgium lives in the royal residence, near the Notre Dame church. Not far away is the Heysel area with the Atomium and mini-Europe. The church was built in 1854 during the reign of King Leopold I, to commemorate the death of his wife Louise-Marie of Orléans, Belgium's first queen . The construction continued until 1908. The Notre Dame church was designed by Joseph Poelaert, the architect of the Brussels Palace Of Justice. Behind the church, in the cemetery of Laken, can be seen the choir of the old Medieval church which used to stand here. This cemetery is certainly worth a visit because of the magnificent late 19th century tombstones